marvel studios

The biggest problem for “Loki” is one that’s afflicted Marvel for a while now; it no longer knows how to handle a narrative device it helped popularize.

Bloated “Ant-Man and the Wasp: Quantumania” proves that bigger is not always better — and often, small-scale stories carry just as much value as phase-jumping films.

The show’s well-made and thoughtful script offers much to enjoy in the series’ first half, despite it often being bogged down by poor visual presentations. 

Besides being a well-executed, riveting superhero movie, a huge factor in what makes “Shang-Chi and the Legend of the Ten Rings” so amazing and necessary is the fact that it unapologetically tells an Asian and Asian American story.

With “Spider-Man: Far From Home” hitting theaters, it’s only appropriate to look back at the web-slinger’s storied on-screen history and separate the worst from the best.

In the world of the multitude of on-screen X-Men, “Dark Phoenix” comes in as possibly the worst entry into this universe yet.

Ten years into its chokehold on blockbuster culture, Marvel Studios is finally reaching the ostensible end of a rainbow with “Avengers: Infinity War.”