Avengers: Infinity War

The show’s well-made and thoughtful script offers much to enjoy in the series’ first half, despite it often being bogged down by poor visual presentations. 

“WandaVision” is a wonderfully acted, fascinating and sometimes delightful series, albeit one that occasionally suffers from a reluctance to depart from its parent franchise. 

“Either it’s all a joke or none of it is,” Bruce Banner quips about his time travel research, inadvertantly diagnosing the Marvel Cinematic Universe.

Good luck, fellow Marvelites! Enjoy the marathon, and more importantly "Endgame." We know we'll be stocking up on tissues and popcorn for it.

Belated and ballyhooed, “Captain Marvel” sells itself on the promise of a game changer for its franchise and proceeds to bend over backward for a brand-maintenance agenda. A failure of imagination, this textureless piece of plastic is so mechanically structured it’s been made uninhabitable to any artistry or panache.

This summer, I decided it was time to check off a new box on my list of manic pixie dream girl jobs and apply to work at a movie theater.

“Ant-Man and the Wasp” serves as an ideal slice of chill-the-hell-out catharsis after the awesome but exhausting buildup and conclusion to “Infinity War.”

“Avengers: Infinity War” heralded the start of the summer movie season, kicking off a four-month period in which CGI spectacle reigns supreme.

The end of Marvel’s “Avengers: Infinity War” had everyone shocked and sad, with half of the beloved characters vanished with Thanos’s snap of a finger. It shouldn’t be forgotten, however, to appreciate how good the movie is as a whole and all the excitement that comes with it.